Telemann's Don Quixote: A Comic Opera, with Puppets
Sunday, May 17, 2026, 4PM
In the 18th century, more diverse types of opera were appearing throughout Europe–hundreds were composed, many owing a debt to the commedia dell’arte Italian theatrical tradition dating back to the previous century. With an output of at least thirty-three operas, George Philippe Telemann was among the most prolificcomposer in this form. In 1758 he composed his final opera, Don Quixote auf der Hochzeit des Comacho, a portion of Cervantes’ famous satirical story of the escapades of Don Quixote, and his pal, Sancho Panza.
Telemann identified this opera as a “Singspiel,” which was a term often used for shorter comic musicals. In addition to seven solo singers, and a small orchestra, our version will be enlivened with PUPPETS, a common practice throughout Europe, beginning in the 17th century. One of the most famous 18th-century production companies was the Esterhazy Palace marionette theatre, which was the summer residence of Prince Nikolaus I of Eszterházy. Composers such and Haydn, and even Beethoven, provided music for the palace enjoyment.
We’re delighted to welcome Cumberland puppeteers Kristen Evans and Debbie Streicher, who will lead the puppet portion of the production!